For the child listening from the top of the stairs, worrying it’s their fault.
Every household has rows. Children hear far more of them than we think, often from the stairs or through a wall, and what they take from it depends enormously on what they see afterwards. Left unexplained, a raised voice can become a child’s private worry that the family is coming apart, or that they caused it.
A book gives you a way to raise it without a great solemn conversation. It shows a child that grown-ups do argue, that it doesn’t mean they’ve stopped loving each other or the child, and that people make up. Which is exactly what a child needs to hear, and rarely does.
Here’s what I’d reach for. Find your child’s age and start there. If the arguing is heading towards separation, the divorce page may be the better place to look.
4–6
Little ones
Raised voices
Little ones need the plainest reassurance: this isn’t your doing, and we still love each other and you.
A little boy searches for glue strong enough to mend his arguing parents, and comes to understand that he can’t fix it and that none of it was his fault. Written for separation, it works just as well when there’s a great deal of arguing at home. Tender, rhyming and never preachy.
Katie loses her temper completely and becomes Bombaloo, all fury and no words, and is loved anyway once it passes. Seeing anger arrive and then blow over, with the love intact, is exactly the shape a worried child needs. Non-judgemental and warm.
A little girl watches her parents argue and argue, and then hears that they are separating. The book is very clear with her that none of it is her doing, which gives words to the guilt children tend to carry quietly. It does move on to separation, so if things at home are only tense for now, read it yourself first.
A long, hot car journey with a sister she does not much like, and underneath it the slow realisation that her parents are in trouble. Raina picks up the arguing in the front seats the way children do, in fragments, without anyone sitting her down to explain. It is a graphic novel so it moves quickly, and children who have been dreading a conversation at home tend to feel less alone in it.
Older children can follow the whole argument and usually think they know whose fault it is. What follows hands them somebody else’s family to work it out in.
Karen is twelve and certain that if she can only get her parents into the same room at the same time, they will stop this and stay together. Blume wrote it in 1972 and it has dated hardly at all, because the bargaining a child does has not changed. The title is the grown-up talking, not Karen.
Em adores her stepdad, and on Boxing Day, after a row, he walks out. The book is her campaign to get him back. Wilson never pretends the adults are behaving well, which is why children trust her. Sad in places and properly funny in others.
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Something to do together
A reassurance printable is on its way
A page of the things a child most needs to hear after a row in the house, and a gentle way to ask what they heard. I’m making it now, and it will live here soon.
One last thing
Children don’t need a household with no arguments. Researchers who study this describe it as constructive conflict: what affects children isn’t whether parents disagree, but whether they see it resolved. An argument a child watches finish well teaches them more about relationships than one they never see at all.
So try to repair it where they can see, tell them plainly that it wasn’t their fault, and answer honestly if they ask. And keep the genuinely serious rows away from little ears. If home doesn’t feel safe for you or your children, please do speak to someone locally who can help.
These pages are written for the grown-ups looking after a child: parents, teachers and carers. A good book can sit beside a worried child, though it never stands in for a real conversation, or for proper support when something feels too big to carry alone.
Chosen by Georgia Clare, author, bibliotherapist and mother of two, for Book Quote Therapy.